As far as gigs go, this one was probably the nicest smelling one I have attended.
I don’t know where it came from really. I don’t know if it was the lady’s shampoo I was standing near or if someone was burning some incense in an art room or whether I am just slightly unhinged… but god damn it smelt like musk Lifesavers and it was so great.
So pair this with the comforting ambiance of Fremantle Arts Centre and a night that’s slightly colder than perfect and BAM you have got a good time.
Oh yeah, the music.
Henry Kissinger – the better one – is surprisingly cool. He’s probably my new favourite keyboardist (sorry Ray Manzarek) thanks to his bass fueled loops and beats that make me dance quite good without having to think about it too much.
Ziggy’s performance is astounding. I love Hip Hop. A lot. Discovering a new local artists I can listen to at home and follow throughout their career is why I keep going to gigs really. That and the exercise I guess. So give these guys a listen if you like your breakbeats and flows. Ups to JCAL as always, as well.
POW Negro hardly need an introduction sentence anymore. If you live in Perth you’ve probably already witnessed their wondrous live performance; theatrics, musical instruments and now these amazing visuals, and well if you live anywhere else, you can’t claim to be the music connoisseur of your mate group unless you know these guys, sorry.
On this particular Friday night, the gang was launching their single ‘Money for Portraits.’ The song in its self is a banger. Not just because its catchy but because its arranged nicely. The verses have great lyrics, the bridge is a highlight and really pumps you up for the riff driven chorus.
When I said musical instruments before I wasn’t just drawing attention to the fact this band plays instruments (shocking, I know) but more that Pow! Negro are a breed of artists that interchange the composition and roles of their members frequently.
This reminds me of A – The Beatles and B – the struggle millennials are facing to get a job; no one’s going to look twice at you soon unless you bring that little bit more to the table.
The drummer sings, the guitarist plays drums, there is a saxophone, singing and rap intertwine, there is dancing, banter and so on and so forth. I love it, but also am exhausted by the dynamics, which isn’t necessarily a bad thing.
I guess the band it’s an accurate representation of life. Without stating the obvious, we all know art is a perception of society so what I am trying to say here is Pow portray feelings of the community on a small scale and humanity on a global scale well, which is ah kind of necessary, but a bit deep for a single launch review.
I existentially wonder what is next for music. I love the hybrid everything that seems to come with conscious human evolution condensed into one lifetime, but also still love simple well-though out compositions. Really, I don’t know what I want and I am sure you don’t either but that being said we can figure it out together. Something to look forward to in this post-truth world.
As an audience member and a music consumer I can kind of tell that each member is bringing their own vibes to the table behind the scenes and then as a band they pick up what’s good and work on something from that – obviously beautiful cooperation.
It really is ‘Zac de la Rocha-ish,’ but to be honest I’m sick of people comparing them to Rage Against the Machine. Like that’s accurate but lazy and they’re so much more.
They’ve nailed the funk, the melody and the jazz. Next up I would love to see more slow jams. They already have one or two – check out Sam | Saim on Soundcloud – which they pull off well.
RacketBall goes off as always and when performing ‘Hidle Ho’ they are joined on stage by Ziggy and MC Marley which made everyone smile. Trust me, I genuinely looked around and took note and everyone had their pearly whites on show.
A lot of their music is still not available online, or rather has been quite scarce in the past but with their Big Splash 2016 win, hopefully we will see more recordings pop up on the World Wide Web.
So anyway, that’s enough tangents from me – to wrap it up, can’t wait for the EP.
“If a possum does a shaka in the bush, but no one is there to witness it, does the bush shaka back?”
It’s that time o’ the year again! Camp Doogs is back and lusher than ever in 2016!
Taking place South West of the swan coastal plain, WA, Camp Doogs 2016 sees bloody plenty of music, heaping tonnes of food, chockablock art delights, night queens, spontaneous frivolities & sleepover cubbyhouse activities zone.
Watching live music in the open or enjoying some chill time and a stimulating chat, why can’t you have both? Get a tattoo while making your first ceramic pot while listening to a kookaburra lol, why not all three?!
What is a doog? Why do I feel so tranquil? How do you I pronounce it? Is it edible? Emotionally tax deductible? Yes, yes & yes!!
The Glen C. Doogs guarantee is to provide a licence-to-chill alternative to the hustle and bustle of traditional live music platforms in WA/AUS. By giving campers a full pallet of experience, punters can become platonic ships in the night a.k.a possum to possum to possum.
Camp Doogs is put together by artist collective Good Times Arts Inc, who put forth our finest picks of the glitter for you to enjoy. We are entirely B Y O, fully D I Y, and secretly D T F.
Low-key Doogs alumni include: Kirin J Callinan, No Zu, Tim Richmond Band, Superstar and Scott and Charlene’s Wedding, Nicholas Allbrook, Kucka, Peter Bibby Midline Line Jug Band etc.
Also boasting a critically curated Deep Doogs dance stage, frothing all night long with past headliners including DJ Nozaki and Noise In My Head in 2015.
So sign up, hop in, and enjoy the luxurious float down the river doogs while the good times last.
COLD PRESSED ACTIVITIES VITAMIN RICH LINEUP
MORE CAR PARKING
LESS BUS ANXIETY
Tickets are already on sale (yay)
PS Heres some flashbacks from last year (yay)
It will be a sad day when Free Range Gallery closes its doors later on this year, so we really encourage you to check out some of the local talent they’re showcasing over the next few months and experience this unique space while you can!
Running until Saturday, Support Structure is an exciting exhibition of new works by Liam Colgan (WA), Emma Schrader (WA) and Grace Herbert (TAS). Examining the artists shared interests in built environments; the show will consider the ways in which these spaces have the ability to influence their occupants.
Drawing inspiration from three very distinct spaces: the gallery, bedroom, and construction site, Support Structure highlights the unseen mechanisms of our built world. Through multi-media installation Colgan playfully explores how the environments we live in can subtly shape our identities. Schrader uses sculpture to sensitively examine how the human body can connect and relate to the space it occupies. Herbert’s photographic installation seeks to investigate the transient nature of built spaces.
This project is supported by the Department of Culture and the Arts.
Image thnx to Driely S
As you know, we like to do things differently here at Hipflask HQ, so we’ve done a 360 and interviewed the interviewee (does that make sense? I think it does).
Avenoir, a Perth local publication, is quickly gaining momentum and a reputation as a respected source of information on a whole range of topics – from society and culture to all things creative.
Behind it is the highly intellectual and beautiful (inside and out) individual, Zaerën Momand.
Do yourself a favour and get yourself acquainted.
What drove you to create your own publication?
Rebellion haha. At first I had a naive notion that I could write the way I wanted to and that I would just report whatever matters most. But after seeing how journalism rids that creativity due to their triangle paradigm of “objectivity”, I wasn’t willing to give up my way of writing. So instead of catering to the Editor’s imaginary audience expectations of my work, I decided to create my own magazine.
Avenoir has the aim to ‘challenge cultural norms of society, whilst embracing the creative art form.’ How do you do this?
I have the writers to challenge what the media or press are saying about a person, place, thing or event. The reason is because we are too quick to accept the news as fact when the story changes and things go in tangents; and details that may be found through other sources of what the mainstream media is distracting us from, i.e. Kardashian antics over the TPP.
We are having each department in collaboration with like-minded individuals/creative communities (such as Revelation Film Festival to Doctors Without Borders) who we can expand together on and hopefully be able to make a difference.
Concentrating on all things local, national and international – which region receives the most love from readers?
At the moment we are still building our audience but we are focusing on our Perth community in covering shows and festivals and things to do in Perth. We tend to focus on international and national news, but cover things local. I work with people from the East Coast and as well in America which I’m hoping to expand to later on.
How is doing what your doing in Perth different to other areas? What are the limitations/challenges you face… as well as the easy stuff.
What I noticed as an American having lived in both hemispheres is that it’s all about the hype in America; achieving the aesthetic, fulfilling the materialist needs and what is “in” at the moment. While in Perth it’s not like that. All it is for Perth is showing the people there are things to do in WA, when most believe there isn’t anything to do at all. For some reason there isn’t that strong reinforcement to keep Perth content with what it has because the people have been told countless of times that they are isolated, which in turn has been programmed within their minds to persist in that belief.
What’s up next?
We’ve got a new system in place so we’re hoping to be able to cater to our audience with a balance of social issues, music, film, fashion, the arts, and so forth. As well our collaboration with Canopy Films, who are our go-to film crew in creating visuals for our work at Avenoir, and working with hipflask on upcoming events.
What do you personally recommend we check out?
Ever since having seen the photos taken by Driely S of the Afro-Punk festival (and feeling honoured to have her work grace our first ever issue) I couldn’t help but appraise the mindset of culture. See, it’s all about appreciating the art and acknowledging where it comes from, but most importantly to understand the struggles and accomplishments of that particular group or culture. But in regards to Afro-Punk, the history of punk music that originally came from reggae had been completely white-washed by the Oi movement. So what Driely S does is project the culture that has been ridden by the movement into the forefront and in turn capturing the mindset of the people who are free in their individuality and together in their ancestry.
If people wish to be contributors, what is the best way to be a successful candidate?
Those who are able to bring an interesting perspective to their work; whether formal or satire. As long as their intentions are to open the minds of the masses, challenge cultural norms, and are familiar with the creative art form of the cult/mainstream in film, arts, music, etc, would be successful candidates in writing for Avenoir Magazine
+ final last words…
You can mock me for sounding all Sartre, but I really believe you are valued by the the meaning that you choose in life, and that in itself becomes existent and reflected to everyone around you, but only when you decide to act on it with pure intention.
What is your name and how old are you?
Samantha Bats, 19.
Where were you born and where do you live now?
How does where you live affect your art?
This question requires a PHD length answer – because Perth is changing at the moment. The abridged version is that I’m ignoring everything around me when making decisions about my own image and art. I don’t say that in a spiteful way at all, but there is a lot of bullshit that, to me, makes little sense.
Are there any downsides to this medium?
Uncommissioned public art is the enemy for this city.
What makes your work unique and truly your own?
I don’t have a Facebook fan page.
Has your style changed over time?
I have creative ADHD. My style changes every ten seconds at the moment. I assume it will calm down over time. I don’t think hard about it. I use the same themes, concepts, tongue in cheek humour and hatred of stencils to bring it together.
What kinds of ideas and things are you working on at the moment?
HAHA, oh boy. Okay, ready? Naked fire-extinguisher bombing, 3D boogle eye canvases, custom N64 covers, releasing films on VHS, arcade machine exhibitions, faking publicity, comic book murals etc – don’t copy me; I will sue.
Tell us a little about your creative process.
Contemplate suicide at the thought of working fulltime.
How would you describe your style
ART ANTIART, POPULAR ANTISTYLE 90’S PS1 TOY TRAINS
Favourite venue to exhibit?
The street sans permission.
When can we see you next (upcoming exhibitions/mural work/whatever)
Murals in the city for FORM, A Sydney show with art genius JOE42, A group show launch for LOSERUNIT4 and I’m working towards my solo “KAWAII KORE 64”. Loser Unit is also making a documentary about me due out next year, apparently.