We had a quick chat with Joel from Comida Do Sul just now about the important stuff. Food, dogs, surfing and…….

Joel says: “Prato Feito, our classic adaptation of the beans & rice dish. We grill fresh picanha (rump cap) serve with black beans & rice, garlic kale, salsa, fried cassava and farofa. This dish IS BRAZIL!”

Yo Joel, we know that there are two types of people on this planet – people who love the Dockers, and people who pretend that they don’t love the Dockers. Which one are you?

We live in Freo so you know it! Paint those streets purple! **Joel actually sent his responses back to me in purple!

What does the name mean and why is it significant to you?

Comida Do Sul translates to food of the south, its kinda a slang way of saying food of South America aka Brazil. We represent the Brazilian vibes in Perth.
It’s obvious that this is a business that is run with love and I imagine that there is a lot going on behind the scenes: How do you spend a typical work day?

Wake up and have a good day! start with a cup of milky tea, give the dog a pat, water the succulents on the porch, drive to work pick up a frothy latte, hit the warehouse, turn on the tunes and get the trucks ready for the day’s service. If the crew are working Dani and I will sit at the computer punching out mails working on new locations and marketing. We are always looking into the future, new ideas etc. We have just started a new brazilian frozen food line called tropicalia foods which we hope to have in the bars and restaurants of Perth!

When you’re not working on Comida do Sul, what can we find you doing?
Well thats a funny question as we live and breathe Comida! We walk our baby girl staffy mina. go surfing and recently did an epic bush walk through the Kalbarri Gorge. Travel is also the key to life! Just spent 4 weeks in Sri Lanka, what a place! 

Amen! Now I’m hungry and craving a little mission. Where are you guys going to be at lunch time tomorrow?

here

Legend.

Ta.

Understatement alert: We’re excited about this one.

Young Love Mess Hall is being built right now behind some tasteful, Hosae hoarding on William Street.. This one has been a few years in the dreaming  and about a year in the making. It’s being built by the owners, their first crack at doing this resulted in this guy. It’s not just the decor or the theme or the food that we’re pumped about; it’s that inimitable love of people who are doing exactly what they’d rather be doing. They’re flat out building right now, we’re keeping a tab dedicated to their facebook page for announcements.

I try not to swear when I’m writing. This article really tested my resolve.

I set out to write a piece on analogue synths and ended up finding out about a local project that hybridises synths with stem cell research and neural network research.

Analogue. The word can make you excited, it can make you roll your eyes. I’m a massive hipster and also an engineer. I love dorking out on audio gear, so I thought I’d share a little information and opinion. Hopefully more of the former.

Because we are biased to favour sounds and sights that are familiar to us, many modern, digitally created artworks go to great lengths to emulate the characteristics of the equipment of yesteryear. One of my favourite examples of this, is in the realm of cinematography -the concept of lens flare. Lens flare is a distortion – an artefact of imperfection that we love. We love it so much, that 3D animated films simulate lense flare when the camera pans past the sun, to make the resulting scene more realistic.

Most people consume most of their content in a digital manner, but the analogue signal path and the immediacy of workflow that is required to wrangle a physical machine to make an image or a sound certainly leaves its effect on the final product. Modern emulations of analogue synths have come a long way and most of us would not be able to pick the differences in a blind test. For some people however, the subtle and peripheral joys of classic Bob Moog or Dave Smith style circuit designs, are non-negotiable.

Purchasing a vintage synthesiser or even a re-issue, typically involves a serious outlay of cash and it can be hard to know if eBay user synthlord_78 is that same guy who emailed you about needing to borrow your bank account to process his inheritance…

Thankfully, if you live in Perth, there is a fantastic solution for you. The good folk at WAMod have been rujnning a DIY Modular Synth Workshop at the Artifactory for a while now. I got in touch with
Nathan Thompson & Andrew Fitch from WAMod -https://www.facebook.com/WAMod-West-Australian-Modular-S…/…/
…to talk about their workshops and what you can get out of them…

Me: What was it that made you take the leap, from making your own synths, to teaching others to do the same?
Andrew: I started building synths in the late 90s, in those days the DIY synth community was small and full of very helpful people. Two people that helped me a lot in the beginning were Ken Stone and Motohiko Takeda , both are awesome designers and very generous and open with sharing their knowledge. It felt like the arcane art of synth building was being perpetuated and passed along at a grass roots level and I feel it is important to keep the flow going.
Until you actually start to do it, building analogue synths seems like some kind of black art that can only be done by factory robots. In fact, once you pick up a few basics it is quite easy to build synth modules. Of course, designing modules from scratch is a bit more difficult, but nobody needs to do that at the workshops (unless they want to)
I can’t remember how the WAmod workshops started or who 1st suggested it. SKoT suggested we run the workshops at the Artifactory, so they have all been held there and it is a perfect venue for running the synth workshops.
Another reason for the workshops was to get synth geeks together in one room. Synth DIY tends to be a solitary hobby and there are few chances to meet fellow builders. The workshops have enabled the forming of some good friendships and quite a few of the regulars hang out and jam together outside of the workshops.
Finally, we wanted to enable people to get into synths without going into debt. The average synth module costs $200-300 each and a decent modular synth should have at least 10 modules plus a case and a power supply, after taxes and shipping from overseas maybe $4000 worth. At each workshop, a full module kit is usually $40 and nearly everybody goes home with a working mo
dule at the end of each workshop, ready to plug into their system. Nathan supplies cases that have been made on the Artifactory’s laser cutter; these are the cheapest Eurorack cases in the world (no bs).
So after a dozen workshops and an outlay of around $500 you have a functional modular synth, skills to make more modules and some new friends. (think about that – Mike)

Nathan: Making things with your own hands creates a deeper connection with the object, a better understanding of its function and an appreciation for the materials it is made of. Building your own sound making instruments allows you to have full control of the environment you want for your craft. I fucking hate “closed black boxes” that force you to take a particular work flow that someone else decided is the best, plus if it breaks your chances of fixing it is slim.
I stay clear of coding/software, firstly because I suck at it but, mostly because its difficult to actually see what is happening and that surprise events dont happen unless digital parameters allow it to.

Analogue circuits are open systems that are able to respond in realtime without any predefined instruction, for this reason they always offer surprises and WTF moments… That the fun part, trying to control the system but also to play along with it.
For these reasons I hope to help others find the real enjoyment involved with building their own sound devices. Modular synths are the perfect DIY musicians tool which is why they appear in all types of genres, from Punk to Classical, since the 60s. Plus Andrews designs are way cray-cray and are super addictive… Like datura but without the aftertaste.
Me: What skills does someone need to have, in order to get a good experience out of your course and is there any background homework that someone could do, if they wanted to hit the ground running?
Nathan: Newcomers to our workshops are always welcome, we have complete beginners arrive without any soldering experience at all and by the end of the night they leave with a functioning module. It’s easy and after a few evenings they rarely need any guidance. No previous experience or homework is necessary outside of enthusiasm for the hobby.

Andrew: Enthusiasm.
We …. okay… Nathan teaches new builders how to solder, identify components and put the modules together. Everybody seems to pick it up very quickly once they are shown how and get some practise.
For background, just google ‘synth DIY’ and start reading. A lot of relevant sites have great explanations about how modules work; there are also some great synth forums full of threads focusing on synth building. It is also fascinating to read up on people like Serge Tcherepnin and Don Buchla. If you really want to go deep, get Electronotes. This was a monthly newsletter starting in 1969 that set the standards and core designs for analogue modular synthesis. Any serious synth designer has the full set.

Me: At the end of the season of workshop sessions, how playable would my home made synth be? Would it have a MIDI connection?

Andrew: We have held 16 workshops and built a new module at each one. The workshops are held at the Artifactory on the 2nd Tuesday evening of each month, from February to November. There are about 20 regular builders and another 20 irregulars. The regular builders have all got quite functional synths now; of course some people buy other kits or modules online to expand their systems. We usually have a few module kits from previous workshops available, especially the core modules such as power supplies and VCOs. Once you have been to maybe 4 workshops you should have enough modules to start making a few blip-blop and squashed frog noises. MIDI? No way, bleep that squelch.

Nathan: After 4-5 evenings you will have a functioning synth that you made with your bare hands. Its up to you what it does, or how it is controlled. We have module kits that respond to your voice/guitar/radio for example as well as kits for sending your synth sounds to outboard gear, its truly a wide open playing field that you are free to run around in. As of this month we have 16 different modules to build with a new one each month. If you want MIDI there are plenty of options available online.
Me: Are you aware of any bands that are gigging with a WAMod made synth?
Andrew: I have seen a few people use them at various Noize Maschin nights (monthly noise gig at the Artifactory) and at Crux (Baywater).
Is there anything else that you’d like to add?
Nathan: Come and see real stemcell differenciated brain neurons in a petri dish jam with a live musician via a custom made modular synth behemoth at the Masonic Hall in Crawley(UWA) October 4th…
Me: What the fudge?

Just over a decade on from “Illinois” and five years from his “Age of Adz,” Michigan-born songwriter Sufjan Stevens embarks on a full Australian tour playing from his 2015 album, Carrie & Lowell, as well as prime selections across his career, featuring a full band and an immersive lighting production.

Get the details here.

“Leaves the audience spellbound and breathless”
***** The Guardian

“From sublime to fragile, sombre to beautiful, and universal to intimate, this was an exhilarating concert of perfect balance, with Stevens the best he has ever been.”
***** The Telegraph

We’re giving away 2 x Tix to Camp Doogs! Get on the bus! Details on our instagram yo.

A p/review of a giant soul.

In these times, of increasing and encroaching technology, it is important that we pay close attention to the people that are bringing technology into our lives. That we seek to identify what it is, that they represent as human beings, and how it is that they are using technology, to expand upon and communicate their ideas and therefore, what value does this technology bring to us.

A surreal adventure, every time. A morning spent with CLAUDIO a.k.a. Rachel Claudio talking about the things that are happening right now, over a piece of toast and a glass of water. Tuesday morning, sitting in the sun. For everyone who has been sleeping up til now, you seriously have to get out of bed, you don’t want to miss this bus.

Rach has been working on the good stuff, all her life. Both literally and figuratively wide eyed, Rach is a conduit of experience, a very real synapse in the network of us, within which we find both our collective and individual humanity. The heartache and joy, the work, the risk, profit and loss, the fear, love, abandon and affection, confusion and clarity that we all know, are the things that you’ll hear when you listen to CLAUDIO.

The new moniker, CLAUDIO, is an entirely appropriate reframing and representation of the state of the art, of a brave life’s work. There is an album and a live show being developed right now and it is a definitive example of what can be done when prodigious talent explores a new instrument. For CLAUDIO, that new instrument comes in the form of the textural, temporal warp-machine that is, Ableton Live.

Rach has always been a praised vocalist and keys player. Rhodes piano, Moog and Prophet Synths have always been around Rach, which is only natural, when you consider the people that she has worked with in the past. I won’t drop names, we’ll save some surprises for CLAUDIO to reveal, later.

Ableton’s software has been very powerful, for a long time. Intuitive and efficient, with native effects and instruments that rival the best out there. What is cool however, is the team’s development of a hardware instrument that allows an artist to really perform with the software. The APC was good, but the new instrument, the PUSH, takes it to another level and CLAUDIO is one of the first one’s there.

She’s timed her run excruciatingly well. Songs that are predisposed to becoming classics are presented to us from every angle and in all possible  states of inside-outed-ness.

Everything that CLAUDIO is doing, is natural. No pastiche, no nostalgic homage, nor any fictionalist futurism. Songs are presented in the exact context of the present day. A fierce and independent human who has kept a true diary and made herself familiar with the harmonic series. I’m looking forward to keeping a scrapbook-list of the list of artists that reviewers are going to compare CLAUDIO with.

Ableton have noticed this too and whilst the internet is going bonkers about the technical side of what CLAUDIO is doing, Ableton have made queries about the humanity of the person who is behind the music, asking if she would speak with their people about the motivations behind making such music. Bravo Ableton, you are a fine mob.

Speaking with Rach about finding a new way to explore an old love, her response insists that I consider the undying love between my parents or the way that Jiro dreams of sushi. The idea is that the bravest and riskiest thing anyone can do, is to continue to find motivation and excitement to continue to focus on one thing. It’s a comment with a flexible blade, that slips between the gaps in my armour to make me really think. These observations come from all of us, for all of us.

Funnily, even though I typically focus on lyrics in songs, it takes me a few listens to be able to hold onto the words. There are unexpected movements in the music that make me sway and sigh and forget that I’ve got a mental note to try to remember witty observations about song structure, to blog about later. In music like this, I forget myself and find myself, again and again.

I do have a bias, of course. I’m talking about one of my oldest friends, but I’ve always been friends with musicians that I admire. Good music is a manifestation of beauty and beauty can only come from honesty and friendship too, can only come from honesty. So using the logics of loves, my friendship confirms rather than conflicts with my conclusion, that CLAUDIO is fkn onto something here.

This part of an artist’s life is a wondrous thing to be around. The electricity surrounding someone as a long-odds bet, placed some time ago, starts to show the signs of being a sure shot.. It is in conversation around this point, that you start to really get to the interesting stuff:

You see whether actions are motivated from within or from without, you begin to hear the words that someone has been telling you, and themselves, all their lives AND.. it is this point, (to dwell on a point) where we are reminded, that we are all, inextricably connected.

As the days get longer and warmer here in the southern hemisphere, let’s look to our neighbours for inspiration. There is so much beauty, right here in Perth and this summer, we’ll get a few chances to catch a CLAUDIO gig before aeroplanes and optic fibres are required to reestablish the connection. 

There’s big stuff coming.. We’ll keep you posted